Congratulations to Manijeh Verghese and Madeleine Kessler who have been announced as leading on the British Pavillion for the 2020 Venice Architecture Biennale. We were pleased to be shortlisted this year. You can read our proposal here, which we worked on together with our friends at Apparata and the writer and editor Seb Emina. The proposal centres around our mutual interest in the culture and architectural significance of British Public Houses, from Wetherspoons to pubs as community centres.
The British Council are commissioners of the British Pavilion at La Biennale di Venezia 2020.
We are thrilled to announce we have been awarded initial *National Lottery support to develop a year-long project marking the centenary of Dagenham’s Becontree Estate, in partnership with Barking and Dagenham Council, local residents, heritage organisations and artist Verity-Jane Keefe. 2021 will mark 100 years since building began on what was once the largest social housing estate in the world.
Living Together will take a critical look at the past 100 years of social housing through the lens of this hugely significant Estate. The project will put the Becontree Estate firmly at the heart of national and international conversations about the past, the present and possible futures for social housing. Led by the voices of past and present residents, the project will embrace and explore the complexities of this large form suburban estate, which is still home to over half the residents of this London Borough. The project will provide a platform for the individual spirit that can be found in every corner of the four-square mile footprint of the Becontree.
This project has received development funding of £ 74,700 from The National Lottery Heritage Fund to help progress its plans to apply for a full National Lottery grant of £448,000 later in 2019. London Borough of Barking and Dagenham has also received £29,750 of project grant funding from Arts Council England, for a year-long artist’s residency by Verity-Jane Keefe, producing work that will enrich the wider programme in the lead-up to 2021. The architecture and scale of the estate is well known, but it is the more recent history – how housing policy, such as Right to Buy, has impacted the way that Becontree looks and what it is like to live in, today and into the future.
Living Together will be the largest creative heritage-driven social engagement programme to take place on the Becontree Estate.
Welcome to our new Genesis Young Curator, Losal Chiodak
We are thrilled to announce that Losal Chiodak has joined the team as our new Genesis Young Curator, a role supported by the Genesis Foundation. Offered in partnership with Tate Britain and Chisenhale Gallery, Losal will spend three days a week working with us and, for the first six months, will spend the equivalent of one day a week with the curatorial team at Tate Britain, working on all aspects of the exhibitions and displays programme. For the subsequent six months, Losal will spend one day a week at Chisenhale Gallery, working on the organisation’s Engagement Programme.
By working across the three institutions, Losal will gain practical insight into the process of curating and producing ambitious art and engagement projects in a range of settings, both within and outside of a gallery context. The aim of the role is to support Losal to develop in his career, build his knowledge of contemporary art and surrounding discourse, and establish new professional connections, including other young curators from a range of backgrounds currently underrepresented in the arts.
This year-long position responds to the acute lack of representation in the visual arts in the UK of young curators from diverse backgrounds which was highlighted in our ground-breaking Panic! report, published in Spring 2018. The Panic! report highlighted that of people working in galleries, museums and libraries, only 2.7% are from Black and Minority Ethnic backgrounds.
We hope this position will also encourage other organisations to create new, entry level roles for those from underrepresented backgrounds, to ensure routes in to the creative industries become as open and varied as possible.
Losal will start on 25 February and joins us from Counterpoint Arts, an organisation that engages with refugee and migrant experiences and expression, where he was part of their communications team.
Losal Chiodak says:
“I’m extremely excited to be joining the Create team and to have the opportunity to learn from new colleagues across the three institutions involved in this venture. I plan to make the most of this role and bring everything I can to this opportunity. I hope that I will be able to take and expand on the innovative ways Create considers participatory arts, and find new ways to give back to our local communities.”
Create Artistic Director, Hadrian Garrard, says:
“We look forward to welcoming Losal to the team here at Create London. We were blown away by the amount of applications we received for this post – a sign of how few and far between such positions are. We also hope more organisations will consider learning from Panic! and introducing further roles which address the systemic issues embedded in our industries.”
Harriet Capaldi, Genesis Foundation Managing Director, says:
“When the Genesis Prize was awarded to Hadrian in 2016 it began a discussion between us about the need for a programme that addressed the lack of training opportunities for young arts professionals from minority backgrounds. Hadrian devoted his prize money to starting Create’s first Young Curator Award programme and everyone at the Genesis Foundation is delighted that this programme has now been extended and that they’re partnering with Tate and Chisenhale Gallery.”
Since the publication of the Panic! report, authored by Dave O’Brien, Orian Brook and Mark Taylor, we have continued to look at ourselves and put its findings at the heart of our projects. It’s informing all our work, from the way we recruit staff and artists, to the type of projects we take on, whilst consistently making sure we share our learnings at every opportunity. In the 10 months since publication, the Panic! report has inspired podcasts, conferences, press campaigns, MP inquiries and more. Read the report here.
This week, Hadrian and Diana are heading to Russia for three weeks to host 5 seminars in 5 different cities, hosted by the British Embassy and the Strelka Institute for Media, Architecture and Design. We were invited by the British Council to lead seminars around the theme of city and culture, in the context of our 10 year history of exploring how art and artists can be a vital and more integrated part of London. We are happy that our work is recognised in this way and are looking forward to working with and learning from a range of organisations, architects and urban planners in Vladivostok, Perm, Voronezh, St. Petersburg and Kaliningrad.If anyone is in these cities or knows anyone who is, please get in touch and come to the lectures! Details here: https://strelka.com/en/events/events/lectures
We are hugely pleased to announce that Charlie Gregory will join the team as the curator of The White House this summer. She will steer the project, which is now well-established in the heart of the Becontree Estate, towards becoming an independent organisation, and will work with the community in Dagenham to develop a collaborative vision and future for the house. This is a huge step for The White House, and one we are incredibly excited about.
She will start with a residency in the autumn with the Barbican and local Sydney Russell School, as well as oversee the completion of The White House’s Garden, led by collaborative practice They Are Here.
Charlie joins us from The Newbridge Project, where she has been Director since 2013 and led the project towards achieving Arts Council NPO status. She has previously worked with ISIS Arts, Berwick Film & Media Arts Festival, AV Festival and Wunderbar.
“I’m thrilled to be joining the team at Create, an organisation I greatly admire and respect, to take up the role of Curator at The White House. The role will allow me to pursue my passion for supporting artists to explore different models of collaborative arts practice embedded within a community context. The White House is unique in providing a space where artists and communities can experiment, think, play and ultimately create new ways art can form part of our everyday lives. I look forward to working with the communities of Barking & Dagenham to help develop a collaborative vision for The White House, creating an artistic and community resource with real impact.”
Together with OPDC, we are looking for expressions of interest from artists to develop and deliver a major new socially-engaged artist led project which uncovers, celebrates and showcases the industrial heritage of Park Royal by connecting it to the lived experience of its contemporary communities and businesses.
The project can take any form and we are open to ideas which encourage us to think about the heritage of Park Royal in new ways and that can respond to local socio-political themes and the wider London and UK context.
Proposals should clearly demonstrate how they will embed and engage local communities, artists, workers, businesses and/or schools throughout the process. Proposals should also describe how the work will be presented in a way which is fully accessible to a wide and diverse audience, both locally and from across London.
Commissions should start in Autumn 2018 and finish by Spring 2019, lasting a maximum of nine months with at least one public output expected in 2018.
Up to £50,000 is available, which includes all artist fees and production costs. Deadline is 10 June 2018.
Please read the full Open Call Pack for further details on the project and on how to apply.
Find out more about OPDC and the Great Place Scheme here.
Today Dutch artist Wouter Osterholt finishes his winter residency at The White House, Dagenham, which sits at the heart of the Becontree Estate. Selected in collaboration with the V&A Research Institute (VARI), the Berlin-based artist took up residency in November 2017 for five months developing his project ‘Beacon Tree’. During his residency, he has been exploring the utopian origins of the garden city movement so as to re-imagine new models of communal living within Dagenham’s Becontree Estate, the biggest municipal housing project in the world when it was built in the early 20th Century.
Following Osterholt’s residency, artist Alice Theobald will return to The White House, following her residency in summer 2017. Her show, We May Believe Or We May Never Know, will open at The White House on 27 April 2018. It will be open every weekend until 27 May, and will include a performance event featuring the poets and musicians she worked with during her first residency, as well as a two screen video installation.
A statement by Create London in response to Common Wealth’s statement on the similarities between their performance work ‘CLASS the elephant in the room’ and Create London’s commission of Ellie Harrison’s ‘The Elephant in the Room’, which is nothing more than an unfortunate coincidence.
It is clear that all parties care passionately about the growing inequalities which divide our society and have extensive track records in research and active engagement attempting to address these. We therefore enter into resolving this issue with the spirit of solidarity that is required for us to build a fairer world.
In October 2017, Create London selected Glasgow-based artist Ellie Harrison from a shortlist to make a new work as part of Panic! 2018 It’s an Arts Emergency. Her proposal, with a working title ‘Power & Privilege (The Elephant in the Room)’, was devised as a response to a major new research paper on inequality in the creative and cultural sectors written by academics from the Universities of Edinburgh and Sheffield (due for release on 26 March 2018). This research builds on the well-known survey Create London initiated in 2015, Panic! What Happened to Social Mobility in the Arts?
From October 2017 – March 2018, Harrison has been working to develop her work with Create London’s team, and, on Friday 9 March she launched an open call for people to take part in a Power & Privilege Workshop in London on 14 April 2018 as part of the project.
On Saturday 10 March, Harrison received an email from Rhiannon White of Common Wealth alerting her to the similarities of her project with their work ‘CLASS the elephant in the room’. In her reply on Saturday 10 March, Harrison explained the provenance of her idea:
“Thanks for your message and the link! Yes, I see there are some similarities in the aesthetic and themes of the work. I was not aware of your project until now and derived my concept from my experience of doing Power & Privilege Workshops… when on the Campaign Lab course in London in 2013-2014. The elephant costume idea came to me from my Desk Chair Parade/Disco which I did in… Newcastle in 2011 and via a quote from Loki writing about my The Glasgow Effect project in 2016.”
“…people are actually annoyed at the big floppy-haired elephant in the green room: they are annoyed at rising social inequality and how this expresses itself culturally.” ―Loki writing on The Glasgow Effect in 2016
Harrison has not yet had a reply from White and is very keen to meet and discuss possibilities for collaboration in tackling the important issues they are both passionate about addressing in their work.
We acknowledge more diligence could have been given to researching the title of the work before its launch, however, as Loki’s quote (above) suggests, this idiom is often used to refer to social class. We are aware of another event addressing social mobility in the arts held at the Royal College of Art in 2015, which was also called ‘The Elephant in the Room?’
In order to resolve this issue and ensure there is no further confusion with Common Wealth’s work, Harrison has decided to change the title of her project to ‘Power & Privilege’. She will be working over the course of this week to remove online references to the previous title.
Create London would also like to stress our full support for Common Wealth’s work. Create London’s drive to commission and publish this research is to create conversation and action around social mobility in the arts and are therefore happy to see that Common Wealth quoted the 2015 Panic! research in their report. We support any other work created in the UK to promote these conversations and address the issues the creative and cultural sectors face. We encourage Common Wealth to continue their important work.
We today announce our 2018 projects, which include three major new capital projects and the release of the Panic! paper which extends our 2015 survey on the issue of social mobility in the arts. Our upcoming projects represent our continued work around the edges of art, architecture and society, its commitment to establishing long-term community-facing projects and are spurred by some of London’s most pressing social issues: affordable housing, access to art and questions around social mobility in the creative workforce. Click here to read more.