Create London curated and produced a virtual residency programme, connecting three international artists with East London based arts organisations in an eight-week-long collaborative project across 2020, commissioned by British Council.
Due to the impact of Covid-19, each residency evolved from a physical collaboration into a digital one, with artists and organisations exchanging skills and ideas remotely. The global pandemic, and the new reliance on connecting digitally, helped to inform and inspire each of the pieces now on display at the British Council headquarters in Stratford.
THE INSTALLATIONS
Sakshi Gupta, Memories of Things Unseen (reclaimed corrugated sheet metal, steel tubes, rivets). In collaboration with Blackhorse Workshop (Waltham Forest) and artists James Kearney, Toby Poolman and Yesenia Thibault-Picazo.
The use of corrugated metal embodies Gupta’s own experience during the 2020 lockdown of looking out of her apartment window and observing rooftops in Mumbai.
Suspended in mid-air in the building’s atrium, the installation brings together two distinct and recognisable elements: a canopy and a sail. The roof-like canopy resembles a temporary structure, such as a tent or a makeshift shelter that appears worn through exposure to extreme weather conditions. These components carry their own resonances and come together as a whole to frame a meditation on transience and the need for stability, symbolically marking global events of our time, including climate change, the displacement of people and the Covid-19 pandemic.
Shehzil Malik, An Island Ruled by Queens (wallpaper); The Louisa Tapestry, The Sadie Tapestry, The Sahra Tapestry (digital prints on fabric). In collaboration with OOMK (One of My Kind) at Rabbits Road Press and artists Louisa Tock, Sadie St. Hillaire and Sahra Hersi.
These pieces, installed in the communal Stratford Suite meeting room, are based on conversations Malik had with artists from East London, covering topics such as what does home mean? how do women navigate public spaces? and how are artworks shaped by identity and surroundings?
Having never visited England, Malik depicts forms that represent ideas generated by her conversations, as if recording accounts of a far-away land. In the wallpaper, she adopts mixed motifs found in Persian and Arabic manuscripts with imagery inspired by William Morris, creating a pattern of stories of a folkloric island. She includes the Waq-Waq tree, part of medieval Arabic myth and found on an island inhabited only by women.
The portraits represent women imagined inhabiting the island, while also embodying the multicultural nature of East London communities, interwoven with patterns drawn from Malik’s own Pakistani cultural heritage. The patterns and backgrounds were riso-printed and digitally collaged into the works.
Daniel Valero, Casts of Hoxton (stoneware, terracotta, clay). In collaboration with Aaron Angell at Troy Town Art Pottery with Hoxton Gardenware and artists Amelia Brokenbrow, Ned Davies and Elliot Anderson.
Installed in the building’s glasshouse, Valero’s sculptural planters are inspired by hundreds of photographs the Hoxton Gardenware group shared of their local area, creating a vivid impression of everyday life and the built environment of the neighbourhood.
Valero’s residency was built around sessions discussing why the images were important to the group, generating observations of patterns, symbols and stories hidden within each image. Through the group’s gaze, Valero gained an insight into life in Hoxton, despite being thousands of miles away in Mexico.
Each of the forms is inspired by physical elements present in the images: brickwork, patterns of leaves on a wall, or rubbish chutes on the side of a block of flats. The varied colouration of the stoneware gives the pieces unique characters, as if each has its own story to tell.
Housewarming was curated and produced by Create London and commissioned by British Council. Kindly supported by Art Fund.